Consistency in Narnia: Tolkien, Lewis, and the Mixing of Myth
12/23/05
National Review Online has an interesting article talking all about the myth melting pot that is Narnia. At times it seems a bit harsh... but in the end, the writer makes the right point that, with Lewis, things are meant to be there for the truths to be communicated. Father Christmas is there for a reason that children, I think, understand better than adults (saddled with our all too often overly critical minds. Here's an excerpt:
Narnia simply wasn't prepared with the meticulous attention to detail that J. R. R. Tolkien lavished upon to Middle Earth. And Tolkien famously criticized Narnia as an awkward mishmash of a world. It must have pained him to do so: He and Lewis were not only colleagues at Oxford, but also personal friends. Tolkien played a key role in Lewis's decision to become a Christian, in what is probably one of the most significant conversions of the 20th century. The author of The Lord of the Rings might not have finished his own masterpiece but for Lewis's unflagging enthusiasm and encouragement. So he probably would have liked to return the favor and cheer on Lewis in the writing of Narnia. Yet Tolkien was a relentlessly honest man and he could not hide his antipathy for the Narnian project: "I hear you've been reading Jack's children's story," he told a mutual friend. "It really won't do, you know!" (To his buddies, Lewis was known as "Jack.")
Perhaps Tolkien was jealous that Lewis could whip out seven books in seven years — the man wrote at a delirious speed, and Tolkien couldn't have kept pace even if he had tried. Yet his critique of Narnia contains both substance and merit. Tolkien believed that Lewis veered too close to Christian allegory. Lewis denied this, calling his tales suppositions: "Let us suppose that there were a land like Narnia and that the Son of God, as He became a Man in our world, became a Lion there, and then imagine what would have happened."
Maybe you have to be an English major to care about the difference between an allegory and a supposition. Tolkien's primary objection to Narnia, however, raised another issue entirely. He thought that The Lion, the Witch, and the Wardrobe was an irritating blend of different cultural traditions: centaurs and fauns from the Greeks, dwarves from the Norse, and so on. And that's even before we get to this strange business about Jesus, Aslan, and Father Christmas.
Lewis was a great borrower, and it drove Tolkien bonkers. In Perelandra, a science-fiction book published in 1943, Lewis makes a reference to "Numinor." This was meant as a kind of tribute to Tolkien, who wrote of the "Numenor," which was a kingdom of Middle Earth. Note the slightly different spelling, which may be the result of Lewis being sloppy or thinking the word's root was "numinous." Whatever the case, it was not in keeping with Tolkien the philologist's carefully crafted linguistics. It was a dabbler's error, the sort of dumb blunder that Tolkien strove to banish from Middle Earth.
The Numenor-Numinor controversy is of course an exceedingly small thing for casual readers of Tolkien and Lewis. The introduction of Father Christmas into The Lion, the Witch, and the Wardrobe, on the other hand, is obvious and jarring, even if you don't compose elaborate letters from Father Christmas every year (as Tolkien did). Shouldn't St. Nick just stay on our side of the wardrobe?
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