Interested? Support The Stone Table by supporting our sponsors!

Christianity Today Interviews Narnia Actress Anna Popplewell

08/06/05
Submitted By Jon

Christianity Today recently interviewed Anna Popplewell, the young actree portraying Susan in the upcoming film, The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe.  Here's an excerpt from the interview:

 Susan (Anna Popplewell) draws her bowSixteen-year-old Anna Popplewell is, in many ways, the perfect choice to play Susan, the older Pevensie sister in Disney's upcoming film adaptation of The Lion, the Witch, and the Wardrobe. Like the Susan of C. S. Lewis's beloved Chronicles of Narnia, Anna actually is an older sister, she's studious, she's pragmatic and logical—and thus an unlikely candidate to fall for such a far-fetched fairy tale. But like Susan, once she meets Aslan face-to-face, all of that pragmatism and skepticism falls aside, and she embraces the magic.

But for Anna, there was one little problem: Mice. In the story, when the great lion Aslan is killed, he is bound by ropes to a huge slab called the Stone Table. Before his resurrection, tiny mice come to his rescue, gnawing away at the ropes to set him free. When it came time to shoot that scene for the movie, Anna freaked out: She's terrified of mice.

In this interview, which Anna granted to us via telephone from her London home, we learn how she ultimately dealt with the little critters, what she thinks of the Narnia books, how she perceives Susan's character, what she makes of Aslan, and other thoughts on the movie, which arrives in theaters December 9. This will be the first of many exclusive stories about the film at Christianity Today Movies, so keep watching for more coverage in the months ahead.

The movie isn't done yet, but are you happy with the way things are turning out?

Anna Popplewell: Yeah. I saw a couple of scenes when we were shooting, some roughly cut scenes, and then recently I just finished doing post-production. And it all looks really good. It's obviously really nice to see the animation too [added later via computer graphics]. But I'm really looking forward to seeing the whole thing together come Christmas.

Is the role of Susan a part you really wanted?

Anna: Oh, yeah, I really wanted to get it. I had read the books when I was about 7 years old, and really loved them. I just thought they were great stories, really fun page-turning adventures. And then I read the movie script and really loved the script as well.

I also really like Susan and what the script did with Susan. Not that it's very different from C. S. Lewis's Susan, but the way in which C. S. Lewis wrote the books means that the characters are open to a certain amount of interpretation, because he writes with this wonderful style and tone that encourages you to use your imagination and create characters for yourself slightly. And I really liked that Susan was brought to life a bit more in the script than she was originally in the book.

How would you describe Susan's character?

Anna: I think at the beginning of the story, Susan is definitely very practical, very logical. I think she's forced into a kind of maternal role by being away from home as a result of the evacuation [due to the WWII bombing of London]. And I think she almost feels that she has to grow up before she's actually ready to, and maybe that's what fuels that sense of logic and her pragmatism. But I think that as the story progresses and she experiences Narnia and goes on that journey, she warms up and she's able to allow herself to be a child again. I think she really learns something from Narnia.

Are you in any way like Susan?

Anna: Yeah, I think I am, strangely enough. I'm quite a logical person so I definitely identified with her on that front. And I always imagined Susan to be the type who studies pretty hard and works hard at school—and I've always tried to focus on my studies. And she's a big sister, and I've got two younger siblings. So, we have that in common as well.

So do you sometimes play the mom around your house?

Anna: Well, I certainly boss my siblings around! (laughs)

With a bow and arrow?

Anna: No, that's the difference I guess. I used to, of course, but it got confiscated. I'm just kidding! (laughs)

In the books, Aslan is clear that females should not go into battle. But you and Lucy are in the battles in the movie. Can you talk about that a bit?

Anna: That was a slight alteration we made because we felt that Susan and Lucy should [go into battle]. To be honest, the part that Susan and Lucy play in the battle, although it's very important, is right at the end of the movie in terms of the "battles" where women fight. It's not Susan and Lucy fighting all the way through the battle. But we thought that was important to include them in the battle. So, yeah, that is a difference from the book.

Did you actually have to learn how to shoot a bow and arrow for the movie?

Anna: I did. I took my archery lessons. It was really fun to learn something new.

Did you get pretty good at it?

Anna: Well I don't know about that. But I was okay.

What does Aslan mean to you? And what does he mean to Susan?

Anna: When I read the books, Aslan was just this wonderful, magical lion, the epitome of goodness. And I think even after the movie, that's what remains. He's really just full of love. As for Susan, when she meets Aslan, that's when she really believes in Narnia and kind of gets a grip that things are going to be okay. I think Aslan really serves as a symbol of hope for Susan.

For Christians, Aslan represents Jesus in many ways. Do you ever think of it that way?

Anna: For me, I read the books as simply stories. I think what they represent about human relationships can be interpreted in any way, in the same way that any book is a piece of literature and is open to other interpretations. The film is an adaptation of that piece of literature and will still be open to interpretation. I think in the same way that people may read the book in different ways, people will interpret the film in different ways. For those who look for the Christian symbolism in it, it will be there. And for those who don't wish to be confronted with it, they won't be confronted with it. But for me it's really a story about human relationships.

What did you enjoy most about making this movie?

Anna: The people. We had such a wonderful cast and crew. I was so lucky to get to work with such great people. It made the whole production so much fun—six months of fantastic fun, basically.

Any funny stories from the set?

Anna: I have many! (laughs) Fairly early on, Andrew [director Andrew Adamson] asked me whether there was anything that I was particularly scared of. I said yes, I'm scared of mice. And I mean jump-on-a-chair-and-scream scared of mice! He laughed and said, "You know you have to do a scene with mice at the Stone Table where the mice chew Aslan's ropes." I laughed and said I thought he was joking, because we have so many animated creatures in this movie, I didn't think there was any way we'd be using real mice. You know, beavers, foxes, everything is animated. So I didn't see the occasion for real mice.

But as we got closer to doing the Stone Table scenes, Andrew made it clear that he wasn't joking and that there were going to be real mice. So I was kind of silently freaking out about it. There were going to be a hundred or so mice on the set, so Andrew thought it would be a good idea if he showed me one to see if I could deal with it. So he called me onto the set one day and he said, "Anna, I want you to meet Mr. Jingles." And he held this mouse up and I screamed and cried. I was nearly sick. I just couldn't do it. So anything you see in the film with mice and Susan, it's not me, it's my double. I just couldn't do it.

Click here to read the entire article!

Name 
Email 

Got news? Got a question? Let us know!

Name 
Email 
Info 

Copyright © 2004-2008 The Stone Table

Reproduction of material from any The Stone Table pages without written permission is strictly prohibited. The views represented on The Stone Table are those of the Author(s) alone and do not necessarily reflect those of this publication. Certain materials relating to the media covered within this online publication may be the copyright property of their respective studios / production companies / publishing companies.